Homo sapiens, 1969.
Trajanje: 10 min.
Deo nadrealističke trilogije inspirisane mitom o Sizifu, koji obrađuje temu ponavljajuće ljudske birbe i besmislenog rada.
Homo homini, 1970.
Trajanje: 3 min.
Drugi deo nadrealističke trilogije inspirisane mitom o Sizifu, gde Gilić koristi apstraktne, metaforičke slike da istraži egzistencijalno stanje čoveka kroz simboliku i mitološke reference.
In continuo, 1971
Trajanje: 10 min.
Dokumentarni film nagrađen Srebrnim medvedom u Berlinu i glavnom nagradom u Oberhausenu. Prikazuje atmosferu klanice kao simbol večite ljudske izloženosti nasilju i smrti koristeći repetitivne potresne slike.
Dan više, 1972.
Trajanje: 10 min.
Dokumentarno introspektivno delo prati ljude koji u blatu traže lek, evocirajući suživot čoveka i prirode, ali i egzistencijalnu borbu.
Juda, 1972.
Trajanje: 10 min.
Oštar uvid u život muškarca i žene čija svakodnevica u zabačenom, stenovitom planinskom predelu podrazumeva suočavanje sa zmijama koje vrebaju na svakom njihovom koraku.
Moć, 1973.
Trajanje: 31 min.
Kontroverzan dokumentarac prikazan u zvaničnoj konkurenciji na Kanskom festivalu. Prikazuje seansu hipnoze u kojoj učesnici pod njenim uticajem nanose bol sebi i drugima. Film se bavi važnim temama kao što su manipulacija, zloupotreba moći i kolektivna poslušnost, zbog čega je izazvao oštre reakcije publike i kritike.
Ljubav, 1973.
Trajanje: 24 min.
Dokumentarni, gotovo nemi prikaz susreta žene i radnika na mostu — ovaj intimni ritual bez dijaloga interpretiran je kao simbol ljubavi, nade i ljudskog susreta u minimalističkom prikazu.
Foto: Velislav Tomović
Homo sapiens, 1969
Duration: 10 min
Part of a surrealistic trilogy inspired by the myth of Sisyphus. A man goes back and forth across a sandy desert to fill an oversized barrel using a small tub of water.
Homo homini, 1970
Duration: 3 min
The second part of the surrealistic trilogy inspired by the myth of Sisyphus. A man tries to break away from his chains.
In continuo, 1971
Duration: 10 min
A documentary film awarded the Silver Bear in Berlin and the main prize in Oberhausen. Slaughterhouse imagery is used to present the warlike nature of man.
One Day Longer, 1972
Duration: 10 min
A documentary introspective work following people searching for healing in the mud, evoking the coexistence of man and nature, as well as existential struggle.
Juda, 1972
Duration: 10 min
A sharp insight into the life of a man and a woman whose daily existence in a remote, rocky mountain area involves confronting snakes lurking at every step.
Power, 1973
Duration: 31 min
A controversial documentary screened in the official competition at the Cannes Festival. It depicts a hypnosis session in which participants, under its influence, inflict pain on themselves and others. The film addresses important themes such as manipulation, abuse of power, and collective obedience, provoking strong reactions from audiences and critics.
Love, 1973
Duration: 24 min
A documentary, almost silent depiction of a meeting between a woman and a worker on a bridge — this intimate ritual without dialogue is interpreted as a symbol of love, hope, and human encounter in a minimalist representation.
Photo Credit: Velislav Tomović
Režija: Vlatko Gilić
Director: Vlatko Gilić
